stillness and wildness in inverse proportion-- the wide spaces here are
stretched, they pull at your insides. i want to hide the vastness of
this experience in the shells of the mundane. we slip easily out of
these day-skins each night, and leave them husked beside our beds. what
does it mean to be a permeable body? to be a wide filter that catches
things in the breeze?
as i was hanging my laundry on the back-yard line the smell of pine
resin drifted down from the trees. it is beautiful and sharp, and
reminiscent of my rocky mountain childhood. what does it mean, to have
one scent blow through another body? to have the essence of pine
infiltrate clean linen, to have yellow indian curry powder color the
inside of my suitcase and front covers of books, to have creosote oil
sit lightly on the air, to blow through white linen sheets in the
bedroom?
now i sit breathing ground coffee in the air from a blue plastic cup,
smell wet rosemary and dryer heat hum, hear doves and the shakiness of
my own body, here, still getting adjusted, still fragile, and off
balance, distracted but sharply attuned to every small shock and
vibration of this desert house life. i am thinking about lists, and
skeleton-structure, dusty pathways through adobe streets, paths of
memory, birdcalls, unseen lenses into a smaller part of life (higher
magnification). i am looking for stillness, and like a compass or
barometer, trying to settle myself at a still point, re-orientation in a
known place, new-life in a place that is saturated with colors and
smells of an older life.
even the dust here seems holy, like cinnamon particles in the wind, like
juniper berries ground, like prairie dust rising from earth. this life
must be a sieve-- and i need to learn to see it, soft-focus on the
mechanism of capture to strained particles out of the air: mixed gravel,
flakes of mica, particles of mica in schist,
powder-residue-lacquer-coated spring breeze.
\\marfa, tx\\
march 6, 2009
No comments:
Post a Comment